![]() “I was a little worried about all the light colors at first,” Donnersberg says, noting the young family now has four kids under the age of ten. “Because of all the glass, there aren’t really walls to hang things,” she says, noting that, in this residence, “Manhattan is the work of art.”Īt the client’s request, she enveloped the abundant cityscape-panoramic tableaux that evolve with the daylight, weather, and seasons-in a dappled cloudlike palette. While Donnersberg, who favors neutrals, typically reaches for art to bring in dramatic accent hues, that wasn’t possible here. Curved custom chairs, sofas, and sinks bend the rest of the geometric space into something far more voluptuous. A sliver of banquette, also custom, and a Damien Langlois-Meurinne pendant soften an informal dining area nearby. “You had to bring a bit of sensuality to it.” To that end, Donnersberg introduced fluid, feminine lines, like the undulating living room sofa, clad in white wool, commissioned from a favorite French upholsterer (who keeps a little office in New York City). The apartment itself held few inherent charms. “We don’t have places like this in Paris,” Donnersberg says. “The top was meticulously cut by hand and inlaid with onyx, creating patterns that resemble the annual rings of trees.”ĭonnersberg’s initial collaboration went so smoothly, she was soon tasked with designing the entire 6,000-square-foot space-a dizzying prospect for a Parisian who grew up among Gothic and Beaux Arts structures easily dwarfed by the Eiffel Tower. “ was one of the largest tables I had made to date,” Francesco Perini says of his Incontro marquetry work, which weds fine woods with inlays of metal and stone. Gallery Fumi in London oversaw the commission. The client viewed close to 500 possibilities with her before selecting a piece by Italian artist Francesco Perini. (She added a second office in her hometown in 2009.) Since opening her first office in New York in 2007, Donnersberg has frequented design fairs around the globe and cultivated relationships with gallerists and artisans. Fortunately, she had an array of options to present. “I knew right away it would have to be custom,” Donnersberg says of the table, given the proportions of its setting. Paul Reber worked too from the outset of the project to transform the apartment, in his role as interior architect. ![]() Then came incontrovertible proof that Donnersberg was dealing with a major space: the table’s future setting, a glass-sheathed penthouse in the building known as the “Jenga Tower,” designed by the Pritzker Prize–winning firm Herzog and de Meuron. “It had to be large enough to seat a dinner party for 12,” Donnersberg says-practically Brobdingnagian by New York City standards. The piece’s size was the first indicator this was no ordinary project. Could Donnersberg help the former makeup artist source a dining room table for her young family’s Tribeca apartment? In 2018, an Instagram follower reached out to Parisian designer Emma Donnersberg with a minor request.
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